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Tag: music

Van Gogh, Distortion, and their Dance Rock Origins: ‘What Went Down’ – Foals (Review)

Posted on September 5, 2015September 5, 2015 by Guest Writer

The second single, Mountain at My Gates, opens itself with its primary guitar hook and central riff. As the song progresses the lyrics preach ‘I see a Mountain at my Gates; I see it more and more each day’, mirrored by the mountainous distortion and guitar at the end.. The soundscape places Philippakis’ vocals behind the instrumentation and bellowing over it, and brings the droning guitar riffs at the forefront.

Proving that their venture into a newer sound is not a loss for the same quality of music, Birch Tree is very much a track that could be placed in the middle of ‘Total Life Forever’. Full of hooks and high-toned, distortionless guitar that uses few chords and more picking, much like the aforementioned album. It also makes effective use of an echoing vocal style, plenty of groove in the bassline that is reminiscent of the band’s initial dance rock influence, and a subtle synthesizer.

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Beautifully Orchestrated Noise Pollution: METZ II Review

Posted on August 8, 2015August 5, 2015 by Guest Writer

METZ II simply feels right from beginning to end. It’s well executed and marks another significant notch on the belt of METZ for a hopefully long career. Certainly, it lives up to the expectations of their debut and brings the same quality and style, however not much has changed in the span of the two albums. There is little creative experimentation happening in METZ II, as there is little to find that we haven’t seen in the previous METZ album. This isn’t a bad thing, as fans of Punk will certainly enjoy another taste of what the band has to offer. “Kicking a Can Of Worms” stands out as a fresh attempt at something new, but sadly comes only at the end of the album. Hopefully, it is an indication of more experimentation in the future; using the same perfected method will certainly become dry after a few albums.

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Punks of Electronic: Men Without Hats’ debut album Rhythm of Youth (Review)

Posted on August 1, 2015August 1, 2015 by Guest Writer

The punk music of electronic, New Wave Men Without Hats released their debut album Rhythm of Youth in 1982 to international acclaim and success. Defiant lyrics and infectious instrumentation filled the album, with singles like ‘Safety Dance’ and ‘Living in China’ crowding the billboards as top hits.

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Highlight: A Tom Waits and Muse mash-up forms an unexpectedly brilliant fusion: What Is He Forcing In There?

Posted on July 30, 2015July 30, 2015 by Guest Writer

  If there was one positive outcome brought about by the advent of the internet, cat videos aside of course, it is the dramatic rise in popularity and quantity of music mash-ups.

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In-Depth Review: How Against the Current and The Ready Set ruined the best song of 2014

Posted on July 18, 2015July 17, 2015 by Guest Writer

While the replacement of solo instrumentation for ‘Bass Drops’ and Synthesizers is admittedly horrific, it does say something about the modern-day music industry and the way people listen to music. Where once, technical skill and creativity was something that people praised, now it’s left in the shadow of studio-manufactured sound that’s not created by a band with guitars and drums, but by a well-paid executive using algorithms and documented studies. This sound, created through equations and sung by people who are little more than familiar faces, dominates Pop radio. It’s something I affectionately call ‘Formula Pop’, a style of music that is neither an artistic expression nor necessity

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