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The Adventures of Robin Hood (1938) – Review

Posted on October 4, 2026October 3, 2026 by Mike Brooks

There are movies you respect, and then there are movies you quietly resent for making everything else look lazy. The Adventures of Robin Hood sits in that second category, prancing around in glorious Technicolor like it knows it set the template and nobody’s really topped it since. It’s annoyingly perfect, but at least it has…

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The Oblong Box (1969) – Review

Posted on October 2, 2026September 30, 2026 by Mike Brooks

What happens when you mix Edgar Allan Poe, African voodoo, Vincent Price, Christopher Lee, and a British moral panic about imperial guilt? You get The Oblong Box, a gothic fever dream that starts in a coffin and ends in colonial karma. Directed by Gordon Hessler with enough fog and guilt to fill a Hammer vault,…

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Witchfinder General (1968) – Review

Posted on September 29, 2026September 18, 2026 by Mike Brooks

Some horror films entertain. Some horror films scare. Witchfinder General just fixes its gaze on you, mutters “you’re doomed,” and slaps you across the face with raw cruelty. Vincent Price, usually the maestro of gothic camp, here gives one of his coldest and most viciously restrained performances. No cobwebby castles or spooky theatrics; just a…

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Douglas Fairbanks in Robin Hood (1922) – Review

Posted on September 27, 2026June 29, 2026 by Mike Brooks

1922’s Robin Hood – released as Douglas Fairbanks in Robin Hood – is one of those silent-era spectacles that makes you wonder if early Hollywood briefly lost its collective mind and decided to build an entire medieval city just for fun. Released at the absolute height of the silent swashbuckler craze, the film exists largely…

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The Living Skeleton (1968) – Review

Posted on September 25, 2026September 25, 2026 by Mike Brooks

Japanese horror in the 1960s was a weird, wonderful experiment in atmosphere and existential dread, and The Living Skeleton might be its most gloriously unhinged specimen. Directed by Hiroshi Matsuno for Shochiku Studios, this black-and-white maritime nightmare blends ghost story, revenge thriller, and Catholic guilt trip into a single eerie fever of fog and bones….

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