There are bad movies, there are dumb movies, and then there’s 2010’s Super Hybrid, a killer car flick that somehow manages to make Stephen King’s Maximum Overdrive look like a masterclass in restraint. It mistakes a dim parking garage for atmosphere, CGI tentacles for terror, and Oded Fehr’s scowl for character depth. The result isn’t…
Crash! (1976) – Review
Before Charles Band became the king of VHS-era horror with Puppet Master and Ghoulies, he directed this oddball supernatural thriller, Crash! Equal parts domestic melodrama, occult weirdness, and demolition-derby stunt reel, it’s the cinematic equivalent of an out-of-control car: noisy, dangerous, and weirdly fun to watch.
The Ice Pirates (1984) – Review
In a galaxy where water is more valuable than gold, and fashion is stuck in a Renaissance festival, one man and his crew of space degenerates will steal ice, battle space herpes, and age 40 years in five minutes. I bring you The Ice Pirates.
The Lost Empire (1984) – Review
Written and directed by Jim Wynorski—who never met a B-movie trope he didn’t love— I bring you The Lost Empire a pure, unfiltered ’80s exploitation gold. It’s got ninjas, Amazons, evil cults, a gorilla, and more slow-motion cleavage shots than an entire season of Baywatch. What’s not to love about that?
The Hunchback of Notre Dame (1996) – Review
Disney’s The Hunchback of Notre Dame is perhaps the most ambitious animated film the studio ever attempted during its Renaissance era. Based on Victor Hugo’s dark and tragic novel, the film dares to tackle mature themes such as religious hypocrisy, persecution, lust, and genocide, all within the constraints of a Disney musical. Yeah, that was…