The disaster boom struck Hollywood hard in the 1970s, with the Airport franchise kicking off, as well as Irwin Allen’s The Poseidon Adventure and The Towering Inferno cementing him as the “Master of Disaster,” but Hollywood wasn’t the only producer of such cinematic spectacle. In 1973, Japan threw their hat in the ring with Submersion…
Author: Mike Brooks
Film grad who spends most his time trying to catch up on his "To Watch" pile of movies.
Hercules (1958) – Review
Before there was Schwarzenegger, before Stallone, there was Steve Reeves, the original cinematic titan who made Greek mythology a muscle-bound spectacle. This isn’t just a sword-and-sandal classic; it’s the film that launched a thousand peplum (Italian muscleman) movies. Directed by Pietro Francisci, this Technicolor epic blends Greek mythology, brawny action, and just enough campy melodrama…
Airwolf: The Movie (1984) – Review
The 80s were a golden era of television where every hero had a tragic past, every villain had a ridiculous plan, and every government agency had way too much money to spend on experimental aircraft. Enter Airwolf, the feature-length pilot that launched one of the most gloriously over-the-top TV shows of the decade. This isn’t…
Blue Thunder: The Series (1984) – Review
In the grand tradition of taking hit movies and spinning them off into TV series, 1984’s Blue Thunder aimed to capture the excitement of the 1983 film of the same name. Unfortunately, much like many short-lived adaptations, while having the makings of a fun, action-packed police procedural—on paper, at least, it lacked the firepower to…
Mad Monster Party? (1967) – Review
If you’ve ever wondered what would happen if Rankin/Bass, of Rudolph the Red-Nosed Reindeer fame, decided to host a monster convention with a touch of Scooby-Doo logic and a side order of slapstick, well—congratulations, you’ve found it! Instead of reindeer and elves, this one delivers a ghoulishly goofy gathering of classic movie monsters, all wrapped…