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Author: Mike Brooks

Film grad who spends most his time trying to catch up on his "To Watch" pile of movies.

The Turning (2020) – Review

Posted on May 22, 2020October 29, 2023 by Mike Brooks

A modern take on Henry James’ novella The Turn of the Screw is certainly an interesting idea, sadly, the makers of this film failed to provide anything interesting to the proceedings. Worse is the fact that not only does the film fail to tell a comprehensible story but it’s also not all that scary.

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Scoob! (2020) – Review

Posted on May 19, 2020October 22, 2023 by Mike Brooks

With the release of Scoob! we finally see the Scooby-Doo gang making their big move into computer animation, which is about time considering we’ve already had live-action and even puppet versions of Scooby-Doo. But with this particular outing, the writers veered into Scrappy-Doo territory without actually including Scrappy-Doo, and by that I mean Fred, Daphne…

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Camelot (1967) – Review

Posted on May 15, 2020April 28, 2022 by Mike Brooks

The most surprising thing about Alan Jay Lerner and Frederick Loewe’s musical Camelot is that it’s really the only musical based on the Arthurian tales we’ve got — that is if you discount Bing Crosby’s A Connecticut Yankee and King Arthur’s Court and the horrible animated film Quest for Camelot — which is odd considering…

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Scooby-Doo and the Ghoul School (1988) – Review

Posted on May 12, 2020October 22, 2023 by Mike Brooks

When it comes to the idea of employment, the Scooby-Doo franchise has been rather loose with how our cast of characters earns gas money. Shaggy and Scooby weren’t selling pot on the side to pay for all those immense Submarine Sandwiches — despite this being a fair assumption — though they were often seen to…

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Sword of Lancelot (1963) – Review

Posted on May 8, 2020May 11, 2020 by Mike Brooks

A central story element of many King Arthur movies would be the tragic love triangle between Arthur, his wife Guinevere and his noble champion Lancelot, but in this 1963 British production, the doomed love story is the bulk of the film’s narrative.

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