With the release of Scoob! we finally see the Scooby-Doo gang making their big move into computer animation, which is about time considering we’ve already had live-action and even puppet versions of Scooby-Doo. But with this particular outing, the writers veered into Scrappy-Doo territory without actually including Scrappy-Doo, and by that I mean Fred, Daphne…
Author: Mike Brooks
Film grad who spends most his time trying to catch up on his "To Watch" pile of movies.
Camelot (1967) – Review
The most surprising thing about Alan Jay Lerner and Frederick Loewe’s musical Camelot is that it’s really the only musical based on the Arthurian tales we’ve got — that is if you discount Bing Crosby’s A Connecticut Yankee and King Arthur’s Court and the horrible animated film Quest for Camelot — which is odd considering…
Scooby-Doo and the Ghoul School (1988) – Review
When it comes to the idea of employment, the Scooby-Doo franchise has been rather loose with how our cast of characters earns gas money. Shaggy and Scooby weren’t selling pot on the side to pay for all those immense Submarine Sandwiches — despite this being a fair assumption — though they were often seen to…
Sword of Lancelot (1963) – Review
A central story element of many King Arthur movies would be the tragic love triangle between Arthur, his wife Guinevere and his noble champion Lancelot, but in this 1963 British production, the doomed love story is the bulk of the film’s narrative.
My Covid-19 Disney Channel Movie Marathon
When you’re stuck at home for a long period of time, you may find yourself watching stuff you may not normally have bothered checking out. Being a huge lover of all things Disney, I thought to myself, “What better time to catch up on some fun Disney Channel Originals than during a worldwide pandemic?”