In this seventh installment of the DC Extended Universe, the people over at Warner Brothers do something the guys at Marvel haven’t really dealt with, the existence of superheroes from the point of view of kids — you know, the target audience the original comics were aimed at — and with Shazam! director David F….
Author: Mike Brooks
Film grad who spends most his time trying to catch up on his "To Watch" pile of movies.
The Hole in the Ground (2019) – Review
One of the more prevalent staples of the horror genre is the creepy kid, whether he be the son of Satan, as in The Omen, or a whole brood of them, such as from Children of the Corn. No matter what, there is something inherently horrifying about kids — even ones not in horror movies —…
The Fantastic Journey (1977) – Review
In 1977, producer Bruce Lansbury brought to the small screen a show called The Fantastic Journey, a startling tale about a small group of people trapped on a mysterious island — decades before J.J. Abrams would conjure up his series Lost — and though this particular series didn’t even manage a full season, thanks to the…
The Wandering Earth (2019) – Review
I’ll make no bones about disaster films being a genre I’m particularly fond of — something about national landmarks exploding or massive tidal waves engulfing whole cities being a great backdrop for both action and drama — and Hollywood has done much to fulfill audiences’ desire to see such massive catastrophes in all their glory….
Gemini Man (1976) – Review
In 1975, NBC released an Invisible Man series created by television legends Harve Bennett and Steven Bochco, sadly, poor ratings saw the end of that show after only one season, but apparently, the network had faith that a show about an invisible agent was a viable idea and that they just needed the right mix…