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Author: Mike Brooks

Film grad who spends most his time trying to catch up on his "To Watch" pile of movies.

The Hole in the Ground (2019) – Review

Posted on April 5, 2019February 25, 2024 by Mike Brooks

One of the more prevalent staples of the horror genre is the creepy kid, whether he be the son of Satan, as in The Omen, or a whole brood of them, such as from Children of the Corn. No matter what, there is something inherently horrifying about kids — even ones not in horror movies —…

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The Fantastic Journey (1977) – Review

Posted on April 2, 2019November 26, 2023 by Mike Brooks

In 1977, producer Bruce Lansbury brought to the small screen a show called The Fantastic Journey, a startling tale about a small group of people trapped on a mysterious island — decades before J.J. Abrams would conjure up his series Lost — and though this particular series didn’t even manage a full season, thanks to the…

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The Wandering Earth (2019) – Review

Posted on March 29, 2019November 4, 2023 by Mike Brooks

I’ll make no bones about disaster films being a genre I’m particularly fond of — something about national landmarks exploding or massive tidal waves engulfing whole cities being a great backdrop for both action and drama — and Hollywood has done much to fulfill audiences’ desire to see such massive catastrophes in all their glory….

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Gemini Man (1976) – Review

Posted on March 26, 2019May 5, 2024 by Mike Brooks

In 1975, NBC released an Invisible Man series created by television legends Harve Bennett and Steven Bochco, sadly, poor ratings saw the end of that show after only one season, but apparently, the network had faith that a show about an invisible agent was a viable idea and that they just needed the right mix…

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Razorback (1984) – Review

Posted on March 22, 2019May 17, 2024 by Mike Brooks

When Spielberg’s monster hit Jaws arrived in theatres in the summer of ’75, the onslaught of rip-offs to follow was staggering, with such notable entries as 1977’s Orca,1978’s Piranha, and 1984’s The Last Shark, but such rip-offs were not relegated to creatures of the sea, and thus we got such “classics” as 1976’s Grizzly and the…

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