Do you like your superhero stories dark and gritty, with angst-ridden heroes fighting their tragic history? Well have I got a show for you. Creators Geoff Johns, Greg Berlanti, and Akiva Goldsman have brought forth a new DC television show that makes the Suicide Squad movie look warm and fluffy by comparison. This series is…
Author: Mike Brooks
Film grad who spends most his time trying to catch up on his "To Watch" pile of movies.
Venom (2018) – Review
How does one go about making a Venom movie without even mentioning the name Spider-Man? This was the challenge Sony Pictures set for the three screenwriters that were tasked to salvage a character the studio had previously ruined in the third Raimi Spider-Man movie; and just to make it a little tougher, Venom’s first solo…
Down a Dark Hall (2018) – Review
Setting your gothic horror movie in an “old dark house” is almost a prerequisite – Richard Matheson’s The Legend of Hell House and Peter Medak’s The Changeling are prime examples of this done well – but if all you have is dark halls and spooky noises to offer, there is a good chance your film…
Delirium (2018) – Review
What is reality and what is a delusion? This quandary is the heart of many psychological/horror movies, and Blumhouse Production’s Delirium (formerly known as Home) does its best to tap into that primal fear of, “If you can’t trust what you see, who do you trust?” But then, the film drops the ball with a horrendously…
The Changeling (1980) – Review
When it comes to horror movies, nothing beats a good ghost story. Sure, axe-wielding psychos and limb-rendering monsters can be fun, but I’d take a creaking haunted house over those any day of the week. For me, the quintessential examples of this specific horror genre are Robert Wise’s 1963 film The Haunting — a film…