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Author: Mike Brooks

Film grad who spends most his time trying to catch up on his "To Watch" pile of movies.

Man-Made Monster (1941) – Review

Posted on March 15, 2024March 7, 2024 by Mike Brooks

Directed by George Waggner and starring Lon Chaney Jr, this low-budget Universal Pictures production showcases the enduring fascination with the perils of scientific experimentation and the boundaries of human control, a film that would usher in a new wave of mad science.

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The Monster and the Girl (1941) – Review

Posted on March 12, 2024March 7, 2024 by Mike Brooks

What would you do if your sister was forced into prostitution and then you were framed for murder? This question is the heart of Paramount’s The Monster and the Girl, which you have to admit is a pretty good premise, but instead of being a simple revenge flick we get a savage gorilla and a…

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King of the Zombies (1941) – Review

Posted on March 8, 2024March 7, 2024 by Mike Brooks

It’s hard to believe that at one time the zombie genre didn’t exist and that the “zombie” was just one of the lesser-utilized monsters populating the horror genre. Universal’s White Zombie with Bela Lugosi was one of the rare movies that took the subject matter somewhat seriously, which was definitely not the case with King…

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Dr. Cyclops (1940) – Review

Posted on March 5, 2024February 28, 2024 by Mike Brooks

In today’s climate, a scientist trying to reduce humanity’s impact on the environment would most likely be considered noble character, if not a downright heroic, but in the 1940s Paramount Pictures took what could have been an altruistic premise and shifted it into the “mad scientist” genre.  The result was a little classic called Dr….

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Classic Horror Films of the 1930s

Posted on March 1, 2024May 12, 2024 by Mike Brooks

The 1930s marked a significant era in the history of cinema and particularly for the horror genre.  It was during this decade that classic horror films emerged and left an indelible mark on the industry, bringing many iconic characters to life while also influencing future generations of filmmakers and changing cinema forever.

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