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Author: Mike Brooks

Film grad who spends most his time trying to catch up on his "To Watch" pile of movies.

The Mad Magician (1954) – Review

Posted on April 15, 2025April 11, 2025 by Mike Brooks

The Vincent Price classic House of Wax was responsible for kicking off the 3D boom of the 1950s, making Warner Brothers a whole lot of money, so it’s not surprising that Columbia Picture would try and get some of that Box Office cheddar for themselves. This brings us to 1954’s The Mad Magician a film…

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House of Wax (1953) – Review

Posted on April 11, 2025April 10, 2025 by Mike Brooks

Horror remakes are always a mixed bag but one of the early examples of this being done well is in the 1953 remake of The Mystery of the Wax Museum – which starred Lionel Atwill and Glenda Farrell back in 1933 – but this one not only stars the legendary Vincent Price it was also…

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The Boogeyman (1980) – Review

Posted on April 8, 2025April 4, 2025 by Mike Brooks

John Carpenter’s horror classic Halloween ended with Jamie Lee Curtis questioning if it was, in fact, the boogeyman who had hounded them, and then Donald Pleasance responding, “As a matter of fact, it was.” That exchange is pretty much responsible for writer/director Ulli Lommel’s film The Boogeyman, an attempt to cash in Carpenter’s film, only…

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Incarnations of Death: A Cinematic Journey

Posted on April 4, 2025February 28, 2025 by Mike Brooks

The incarnation of Death has been a compelling and enduring subject in cinematic history. This essay examines how filmmakers have personified Death, exploring the character’s various representations, from the ominous and fearsome to the sympathetic and misunderstood. Through these portrayals, the movies delve into humanity’s complex relationship with mortality, each iteration of Death reflecting different…

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Cemetery Man (1994) – Review

Posted on April 1, 2025March 30, 2025 by Mike Brooks

“Hell, at a certain point in life, you realize you know more dead people than living” and it is with this sentiment we get an insightful look into the protagonist of Michele Soavi’s “Dellamorte Dellamore” – or Cemetery Man as it is also known – a film that masterfully blends dark humour, existential musings and…

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