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Author: Mike Brooks

Film grad who spends most his time trying to catch up on his "To Watch" pile of movies.

Tourist Trap (1979) – Review

Posted on December 13, 2022September 9, 2023 by Mike Brooks

Going on a road trip with friends may seem like a lot of fun, with America’s open roads unfolding before you like an endless smorgasbord, but that is only until you take that one unfortunate detour and find yourself running from a chainsaw-wielding maniac or being hunted by a group of children through a cornfield,…

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Sheena (1984) – Review

Posted on December 9, 2022January 8, 2023 by Mike Brooks

In the 80s comic book-based movies were not quite the marketable thing they are today, the Marvel Cinematic Universe wasn’t even a twinkle in Kevin Feige’s eye yet, so when producer Paul Aratow began to bandy around the idea of bringing this old 1940s comic character to the big screen he was really going out…

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The Beastmaster (1982) – Review

Posted on December 6, 2022December 5, 2022 by Mike Brooks

The 80s were a booming time for sword and sorcery films and the year 1982 in particular, with such fantastical films as John Milius’ Conan the Barbarian, Albert Pyun’s The Sword and the Sorcerer and Jack Hill’s bizarre entry of Sorceress crowding the theatres, but today we will be looking at another jewel in that…

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The Cyclops (1957) – Review

Posted on December 2, 2022December 1, 2022 by Mike Brooks

In Greek mythology the cyclops were known for creating Zeus’s thunderbolt, giving Odysseus a hard time and even helping overthrow the Titans, but the film we will be looking at today has absolutely nothing to those events or Greek mythology in general, instead, writer/producer/director Bert I. Gordon delivered a low-budget atomic age monster movie, making…

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Attack of the Puppet People (1958) – Review

Posted on November 29, 2022November 28, 2022 by Mike Brooks

As a production house, American International Pictures was mostly known for quick and cheap films that would capitalize on a current fad or the latest popular movie, often with plots centring around teenagers as they were a key demographic to the studio, and when Universal Pictures had great success with their adaptation of Richard Matheson’s…

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