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Author: Mike Brooks

Film grad who spends most his time trying to catch up on his "To Watch" pile of movies.

The Boy Who Cried Werewolf (2010) – Review

Posted on March 21, 2023March 20, 2023 by Mike Brooks

Remaking a classic horror film is nothing new and has brought such classics as John Carpenter’s The Thing and David Cronenberg’s The Fly, but while those films were remakes of true classics of the genre the one we are looking at today is, at best, an in-name-only remake of the 1973 film The Boy Who…

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Scooby-Doo! in Arabian Nights (1994) – Review

Posted on March 17, 2023October 22, 2023 by Mike Brooks

In the history of Scooby-Doo movies, which does cover a lot of ground, Scooby-Doo! in Arabian Nights has two very key noteworthy points, number one being that this would be the last movie production to be produced by its original creators at Hanna-Barbera Cartoons, afterwards, they would be produced by Warner Bros. Animation, and secondly,…

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This Island Earth (1955) – Review

Posted on March 14, 2023March 11, 2023 by Mike Brooks

Aliens visiting Earth are rarely depicted as your typical friendly neighbours, for every E.T. the Extraterrestrial there are at least a dozen of the nasty Predators variety, but in 1955 we were treated to a group of aliens whose time on our Blue Planet was of a more complicated nature as it had a hidden…

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Scooby-Doo! And Krypto, Too! (2023) – Review

Posted on March 10, 2023October 22, 2023 by Mike Brooks

Many fans of Scooby-Doo were saddened to hear of several projects being cancelled during the Warner Bros/Discovery tax write-off purge, including the animated feature Scooby-Doo! Holiday Haunt as well as the live-action Batgirl movie, and while those cancellations left many in mourning at least one item seems to have escaped the chopping block by being…

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Beyond the Valley of the Dolls (1970) – Review

Posted on March 7, 2023March 6, 2023 by Mike Brooks

Filmmaker Russ Meyer is known for writing and directing a series of sexploitation films throughout the late 60s and into 1970s that utilized campy humour to satirize the status quo and pop culture of the time, which he did fairly well, but when one thinks of Russ Meyer it’s hard to correlate the fact that…

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