In the early days of adapting comic books into live-action television shows or feature films things like “character accuracy” were rarely a concern to the producers of such enterprises but in the late 70s Marvel made a licensing deal with the Toei Company that would take that concept to the next level and the result…
Author: Mike Brooks
Film grad who spends most his time trying to catch up on his "To Watch" pile of movies.
Alligator (1980) – Review
The urban legends surrounding the idea of alligators living in the sewer date back to the late 1920s and early 1930s, which makes it rather surprising that it took until 1980 for such an ideal subject matter to make its way into a horror movie. We got giant ants in the sewers back in 1954…
White Zombie (1932) – Review
The idea of a zombie apocalypse, with hordes of the undead roaming the Earth, is something the world owes to George Romero because his Night of the Living Dead took the basic idea of the zombie and left behind all of the mystical aspects of the zombie mythos, ditching the creature’s Haitian roots and their…
The Night the World Exploded (1957) – Review
Disaster films and science fiction are two genres that go well together, like ham and eggs one with a little more destruction, and this is because if a particular disaster isn’t something as simple as a towering building on fire or a rogue wave swamping an ocean liner, then it would be up to scientists…
The Abominable Snowman (1957) – Review
Of all the creatures of myth, the Abominable Snowman has never quite received the respect it deserves, it certainly hasn’t had the same amount of big-screen appearances as other monsters have had, often stuck in lesser offerings such as 1977’s made-for-television horror film Snowbeast or in more family-friendly versions such as the Bumble in Rankin…