The advent of sound in film by the late 1920s changed the cinematic landscape forever and even more so when it comes to the movie musical, a format that wouldn’t translate too well with title cards, and for decades audiences have been treated to some pretty stunning films, from Busby Berkeley’s elaborately choreographed set pieces…
Author: Mike Brooks
Film grad who spends most his time trying to catch up on his "To Watch" pile of movies.
The Howling (1981) – Review
There aren’t a lot of great werewolf movie out there, in fact, when compared to vampire movies there aren’t all that many werewolf films period, but in 1981 we were treated to two competing werewolf films that have become the benchmark for the genre, first, there was the John Landis dark comedy An American Werewolf…
Godzilla (1998) – Review
When it comes to Japanese exports there is no greater example than Godzilla and with over thirty Godzilla films and counting it’s a hard point to argue, but when it comes to Americanizing this iconic monster things haven’t gone all that well. Lately, we’ve been treated to Godzilla in the new Monsterverse that at least…
Dr. No (1962) – Review
When it comes to literary characters with pop culture cache Ian Fleming’s James Bond is up there with the likes of Dracula, Tarzan and Sherlock Holmes, but Bond’s journey to the big screen wasn’t an easy one and was almost derailed by a televised version of Casino Royale featuring an American spy named Jimmy Bond,…
Tremors: Three Decades of Graboid Fun
Back in 1990 Ron Underwood and a few of friends thought to bring back the old monster genre made popular in the 50s, the one that dealt with giant ants and the like, but even though their little movie was about subterranean worm-like creatures it didn’t quite set the box office on fire, yet it…