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Category: Reviews

The Incredible Hulk: The Snare (1979) – Review

Posted on September 27, 2024September 25, 2024 by Mike Brooks

Richard Connell’s 1924 short story “The Most Dangerous Game” has inspired many adaptations. Yet, none have come close to capturing that premise as a certain episode of a long-running television did back in the late 70s, one that featured Bill Bixby and Lou Ferrigno, because if you were to imagine a “Most Dangerous Game” you’d…

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Charlie’s Angels: Angel Hunt (1979) – Review

Posted on September 24, 2024September 27, 2024 by Mike Brooks

When Richard Connell penned “The Most Dangerous Game” back in 1924 I doubt the idea that his short story would become an often-used trope in film and television had ever crossed his mind — especially considering the fact that film was a new medium at the time of publishing and television was decades away —…

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Lost in Space: Hunter’s Moon (1967) – Review

Posted on September 20, 2024September 15, 2024 by Mike Brooks

If you spend enough time “lost in space” as the Robinson family were – three full seasons – it’s not surprising that they’d run into one of the oldest story tropes in fiction and that would be adaptations of Richard Connell’s short story “The Most Dangerous Game.” In this third-season episode of Lost in Space,…

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The Running Man (1987) – Review

Posted on September 17, 2024January 11, 2025 by Mike Brooks

There have been many screen adaptations of the works of legendary horror writer Stephen King, some that have resulted in great movies like The Shawshank Redemption and Stand By Me but we’ve also had to suffer through the likes of Dreamcatcher and The Dark Tower, but in 1987 the world was treated to a film…

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The Haunting (1999) – Review

Posted on September 13, 2024September 12, 2024 by Mike Brooks

In 1963 Robert Wise helmed an adaptation of Shirley Jackson’s The Haunting of Hill House, which was a wonderfully executed psychological thriller with subtle horror aspects, flash forward to 1999 when Jan de Bont, the director of Twister, helmed a new take on the novel, one that didn’t bother with pesky little things like subtlety.

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