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Category: Reviews

The Hearse (1980) – Review

Posted on October 7, 2025October 1, 2025 by Mike Brooks

Some movies slip through the cracks of horror history—not quite cult classics, not quite forgotten relics, but instead hovering in that strange purgatory where genre fans know of them without necessarily having seen them. The Hearse, directed by George Bowers, is exactly that sort of film.

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Curse of the Faceless Man (1958) – Review

Posted on October 3, 2025October 2, 2025 by Mike Brooks

From the ashes of Pompeii rises a terror unlike any other—an immortal gladiator, entombed for centuries, now walking the earth once more. Curse of the Faceless Man trades the familiar Egyptian mummy wrappings for volcanic stone, giving audiences a lumbering relic whose face is as blank as his fate is sealed. Equal parts menace and…

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Silver Bullets and Celluloid: The Werewolf in Cinema

Posted on September 26, 2025September 21, 2025 by Mike Brooks

Werewolf movies have long howled from the dark corners of cinema history, shapeshifting over the decades from gothic horror to pop-culture allegories. As one of the most enduring figures in monster mythology, the werewolf serves as both terrifying predator and tragic figure—a creature caught between worlds, between man and beast. The genre has evolved alongside…

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Island of Terror (1966) – Review

Posted on September 23, 2025September 14, 2025 by Mike Brooks

What happens when science goes too far? If you guessed “boneless corpses and Peter Cushing looking concerned,” then you may have seen the Island of Terror. This British sci-fi horror film, directed by Terence Fisher, is a solid blend of atmospheric tension, eerie practical effects, and that charmingly stiff-upper-lip British horror vibe of the era.

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Wolf Man (2025) – Review

Posted on September 19, 2025September 17, 2025 by Mike Brooks

With the success of Leigh Whannell’s 2020 film The Invisible Man, where he reimagined the classic Universal Monster through a contemporary lens, blending elements of horror with psychological and familial themes, sadly, despite his success in that outing, this reimagining falls flat on multiple fronts.

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