The fourteenth Bond film opens with a pre-credit sequence of James Bond fleeing across a Siberian glacier to the music of The Beach Boys’ “California Girls,” while using the front runner of a snowmobile as a snowboard, which pretty much sets the tone for this particular Bond film, as director John Glenn was clearly stating…
Scooby-Doo! Mecha Mutt Menace (2013) – Review
Scooby-Doo and the gang are no strangers to mechanical monsters; in fact, most of the villains they’ve encountered over the years have used robotics to create such terrors as abominable snowmen and rampaging dinosaurs, but with Scooby-Doo! Mecha Mutt Menace, the threat is a straight-up rogue robot… or is it actually rogue? Could someone be…
Dinosaurus (1960) – Review
Movies featuring man pitted against prehistoric beasts have been popular since 1925’s The Lost World, where Arthur Conan Doyle’s tale featured a mysterious plateau rife with dinosaurs, and with the success of modern films like Jurassic World, where genetic engineering replaced lost continents, the dinosaur genre has proven itself to always have a spot in…
Scooby-Doo! Stage Fright (2013) – Review
Gaston Leroux’s classic tale, The Phantom of the Opera, is one of the most adapted literary horror stories to date — only beaten out by Mary Shelly’s Frankenstein and Bram Stoker’s Dracula — so it’s a bit surprising that it took Scooby-Doo and the gang this long to give us their take on this classic…
Star Wars: The Rise of Skywalker (2019) – Review
The Mark Twain quote “Reports of my death have been greatly exaggerated” can be considered the backbone of this final chapter of the Skywalker Saga as director J.J. Abrams tries to course-correct the damaged incurred with Star Wars: The Last Jedi. He attempts to accomplish this by bringing back Emperor Palpatine, the big baddie from…