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Tag: Boris Karloff

Mad Monster Party? (1967) – Review

Posted on October 31, 2025October 30, 2025 by Mike Brooks

If you’ve ever wondered what would happen if Rankin/Bass, of Rudolph the Red-Nosed Reindeer fame, decided to host a monster convention with a touch of Scooby-Doo logic and a side order of slapstick, well—congratulations, you’ve found it! Instead of reindeer and elves, this one delivers a ghoulishly goofy gathering of classic movie monsters, all wrapped…

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Voodoo Island (1957) – Review

Posted on May 9, 2025May 8, 2025 by Mike Brooks

If you’re expecting a thrilling, spine-tingling adventure packed with dark magic and voodoo curses, Voodoo Island might leave you as lifeless as the zombies it barely features. This low-budget island horror film promises supernatural terror but mostly delivers sluggish jungle trekking, bad special effects, and a serious lack of, well…voodoo.

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Classic Horror films of the 1940s

Posted on May 21, 2024May 12, 2024 by Mike Brooks

The 1940s saw the continuation of the golden age of Universal Monsters, a series of films that literally laid the groundwork for the horror genre, and while iconic monsters like Dracula, Frankenstein’s monster, the Wolf Man and the Mummy reigned supreme during this era, other rivals studios would launch their own thought-provoking entries that would…

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The Body Snatcher (1945) – Review

Posted on May 3, 2024May 2, 2024 by Mike Brooks

Working for RKO, producer Val Lewton brought to screen some startling moments of cinematic horror with such offerings as Cat People and I Walked with a Zombie to his credit, but in the case of The Body Snatcher, he and director Robert Wise were given the keys to the horror kingdom with Boris Karloff in…

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The Climax (1944) – Review

Posted on April 9, 2024April 8, 2024 by Mike Brooks

A Universal film taking place in an opera house and starring Boris Karloff as a deranged killer must have, at the outset, seemed like great ingredients for an excellent horror movie with its obvious elements being lifted from The Phantom of the Opera, but what we have here is actually more melodrama than horror. Thus…

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