Pop-art satire, screwball romance, and a bra that doubles as a firearm, The 10th Victim is the kind of science fiction only the swinging ’60s could produce. A film that takes a gleefully cynical look at a future where legalized man-hunting is the ultimate sport and the ultimate advertising opportunity. What follows is a stylish,…
Tag: Dark Comedy
The Wolf of Snow Hollow (2020) – Review
If Fargo and The Howling ever shared DNA, the result might look a lot like The Wolf of Snow Hollow. Written, directed by, and starring Jim Cummings, the film is a genre-bending hybrid—equal parts murder mystery, werewolf thriller, and midlife crisis drama. Remarkably, this unlikely combination holds together with surprising cohesion.
Small Soldiers (1998) – Review
Joe Dante’s Small Soldiers occupies a unique spot in his filmography. Known for blending satire with entertainment, Dante takes some bold swings here—sometimes wobbly, but always ambitious. While it may not enjoy the same spotlight as his more iconic films, Small Soldiers remains a fascinating and underrated gem that showcases his signature style in unexpected…
An American Werewolf in Paris (1997) – Review
In 1981 the horror genre got one of its most influential offerings in the form of John Landis’ dark horror comedy An American Werewolf in London, arguably containing the best werewolf transformations ever put to film, then sixteen years later we got a sequel that left us asking, “Was it worth the wait?”
An American Werewolf in London (1981) – Review
In 1981 fur would literally fly as we were treated to a pair of werewolf movies taking the genre in two distinct directions; with Joe Dante’s The Howling turning the wolf-man tale into a subtle satire of the self-help movement of the 70s, while in An American Werewolf in London, John Landis managed to be…