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Tag: Edgar Allan Poe

Night Tide (1961) – Review

Posted on October 23, 2026October 18, 2026 by Mike Brooks

Before Dennis Hopper went Easy Riding through America’s existential malaise, he was falling for a girl who might be a mermaid. Night Tide, written and directed by Curtis Harrington, is a dreamy and melancholy horror film about loneliness, obsession, and the mysterious allure of the sea. It’s an offbeat mixture of Poe, pulp, and pure…

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The Oblong Box (1969) – Review

Posted on October 2, 2026September 30, 2026 by Mike Brooks

What happens when you mix Edgar Allan Poe, African voodoo, Vincent Price, Christopher Lee, and a British moral panic about imperial guilt? You get The Oblong Box, a gothic fever dream that starts in a coffin and ends in colonial karma. Directed by Gordon Hessler with enough fog and guilt to fill a Hammer vault,…

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The Tomb of Ligeia (1964) – Review

Posted on September 18, 2026September 18, 2026 by Mike Brooks

Roger Corman’s The Tomb of Ligeia is the last of his Poe cycle with Vincent Price, and it goes out with a whisper rather than a bang, a whisper wrapped in gothic fog, cat scratches, and questionable romantic decisions. It’s a slow-burn blend of death, obsession, and reincarnated cats, with more hypnotic mumbo-jumbo than a…

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The Masque of the Red Death (1964) – Review

Posted on September 15, 2026September 4, 2026 by Mike Brooks

Few horror films from the 1960s balance the macabre and the magnificent quite like Roger Corman’s The Masque of the Red Death. A surreal tapestry of death, decadence, and damnation, it’s both a stunning Gothic nightmare and a philosophical fairy tale about mortality and moral rot. This isn’t just one of the best Corman–Poe adaptations—it’s…

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The Haunted Palace (1963) – Review

Posted on September 4, 2026August 31, 2026 by Mike Brooks

Roger Corman’s The Haunted Palace is a slice of H. P. Lovecraft shot through an Edgar Allan Poe lens. It’s gothic, it’s spooky, and it’s got just enough B-movie weirdness to make you grin through the fog. This is the kind of movie where the atmosphere does most of the heavy lifting—because the plot sure…

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