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Tag: lycanthropy

Silver Bullets and Celluloid: The Werewolf in Cinema

Posted on September 26, 2025September 21, 2025 by Mike Brooks

Werewolf movies have long howled from the dark corners of cinema history, shapeshifting over the decades from gothic horror to pop-culture allegories. As one of the most enduring figures in monster mythology, the werewolf serves as both terrifying predator and tragic figure—a creature caught between worlds, between man and beast. The genre has evolved alongside…

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Wolf Man (2025) – Review

Posted on September 19, 2025September 17, 2025 by Mike Brooks

With the success of Leigh Whannell’s 2020 film The Invisible Man, where he reimagined the classic Universal Monster through a contemporary lens, blending elements of horror with psychological and familial themes, sadly, despite his success in that outing, this reimagining falls flat on multiple fronts.

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Werewolves (2024) – Review

Posted on September 12, 2025September 11, 2025 by Mike Brooks

Imagine The Purge but swap out the masked marauders for werewolves, and you’ll get the gist of Steven C. Miller’s Werewolves, a monster movie with many bites but with less of a point. Instead of delivering a tense and thrilling monster movie, it settled for cheap CGI, wooden dialogue, and a plot so predictable you…

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Werewolves Within (2021) – Review

Posted on September 5, 2025September 2, 2025 by Mike Brooks

Horror-comedies are a tricky beast to tame. Go too far in one direction, and you risk losing the scares; lean too much into the other, and the humour falls flat. Werewolves Within, directed by Josh Ruben, finds that sweet spot—delivering a blend of small-town paranoia, quirky comedy, and just enough bite to keep things interesting.

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WolfCop (2014) – Review

Posted on August 22, 2025August 17, 2025 by Mike Brooks

Low-budget horror comedies are a tricky beast. They can be too self-aware and try-hard (Sharknado), or they can embrace their ridiculous premise and lean into the absurdity with genuine charm. WolfCop falls firmly into the latter category. This 2014 Canadian cult film is a love letter to grindhouse schlock, 80s practical effects, and small-town weirdness,…

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