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Tag: The Howling

Silver Bullets and Celluloid: The Werewolf in Cinema

Posted on September 26, 2025September 21, 2025 by Mike Brooks

Werewolf movies have long howled from the dark corners of cinema history, shapeshifting over the decades from gothic horror to pop-culture allegories. As one of the most enduring figures in monster mythology, the werewolf serves as both terrifying predator and tragic figure—a creature caught between worlds, between man and beast. The genre has evolved alongside…

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Dog Soldiers (2002) – Review

Posted on July 8, 2025July 6, 2025 by Mike Brooks

Before werewolves were sexy and CGI ruled the night, Neil Marshall’s Dog Soldiers tore onto the screen with a snarling blend of blood, guts, and pitch-black humour. Set deep in the Scottish Highlands and drenched in practical effects, this cult horror-action hybrid pits a squad of unlucky British soldiers against a pack of terrifying beasts—and…

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Ginger Snaps (2000) – Review

Posted on July 4, 2025May 21, 2025 by Mike Brooks

Oh, Ginger Snaps—the gory, grisly, gloriously goth answer to everyone who thought high school couldn’t get worse than a bad hair day. This isn’t your typical coming-of-age horror flick; it’s a film that says, “Hey, adolescence is already terrifying, so let’s just throw in some werewolves to make it interesting!” And it’s also a Canadian-made…

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An American Werewolf in Paris (1997) – Review

Posted on June 27, 2025October 12, 2025 by Mike Brooks

In 1981 the horror genre got one of its most influential offerings in the form of John Landis’ dark horror comedy An American Werewolf in London, arguably containing the best werewolf transformations ever put to film, then sixteen years later we got a sequel that left us asking, “Was it worth the wait?”

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An American Werewolf in London (1981) – Review

Posted on June 24, 2025June 14, 2025 by Mike Brooks

In 1981 fur would literally fly as we were treated to a pair of werewolf movies taking the genre in two distinct directions; with Joe Dante’s The Howling turning the wolf-man tale into a subtle satire of the self-help movement of the 70s, while in An American Werewolf in London, John Landis managed to be…

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