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Author: Mike Brooks

Film grad who spends most his time trying to catch up on his "To Watch" pile of movies.

The Kid Who Would Be King (2019) – Review

Posted on August 21, 2020September 9, 2020 by Mike Brooks

When it comes to kid’s films, “wish fulfillment” has to be one of the most popular genres — who wouldn’t want to find out they’re a wizard and get to attend a magical school — but there is always a price for such granted wishes, mainly some villainous bastard will want you dead. In the…

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The Wonderful World of Scooby-Doo (1969-2023)

Posted on August 18, 2020April 30, 2024 by Mike Brooks

In the annals of mystery-solving investigators, there are few who have stood the test of time as well as the members of Mystery Incorporated. Now, some may argue that the likes of Sherlock Holmes and Miss Marple have more literary credentials, but did either of those two have a talking dog on their team? Yeah,…

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Code 8 (2019) – Review

Posted on August 14, 2020August 17, 2020 by Mike Brooks

What do you get when one of the stars of DC’s television show Arrow tries to crowdfund a low rent X-Men movie into existence? The answer is Code 8, a somewhat futuristic movie brought to us by Jeff Chan and cousins Robbie Amell and Stephen Amell. This is one of those movies that started as…

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Scooby-Doo and Guess Who? (2019-2021) – Review

Posted on August 11, 2020June 16, 2024 by Mike Brooks

Scooby-Doo and Guess Who? is the thirteenth incarnation of the Scooby-Doo franchise, and at best, it is to be considered a soft reboot of the 1972 series titled The New Scooby-Doo Movies, where each episode would feature a new guest star — whether they be real-life celebrities like Cher and Don Knotts or fictional ones…

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Avalon High (2010) – Review

Posted on August 7, 2020August 10, 2020 by Mike Brooks

With the release of Disney Channel’s Avalon High back in 2010, it’s clear that the studio was looking to strike gold again with another Meg Cabot-based property — having made a killing with their adaptation of her book The Princess Diaries — unfortunately, with a made-for-television budget and some massive creative liberties to the source…

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