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Author: Mike Brooks

Film grad who spends most his time trying to catch up on his "To Watch" pile of movies.

Scooby-Doo! Mystery Incorporated (2010-2013) – Review

Posted on March 6, 2018October 22, 2023 by Mike Brooks

In 2010 Warner Bros Animation teamed up with the Cartoon Network to produce the eleventh, and possibly the best personification of Scooby-Doo and the gang, in a two-season series that basically works as a prequel to the original 1960s Scooby-Doo, Where Are You?

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Laserblast (1978) – Review

Posted on March 2, 2018May 25, 2024 by Mike Brooks

There are low budget movies, there are next-to-nothing budgeted movies, and then there are movies like 1978’s Laserblast, which looked as if it’s budget consisted mostly of whatever loose change producer Charles Band managed to find under the seat cushions of a Tijuana brothel.

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Eyes of Laura Mars (1978) – Review

Posted on February 27, 2018October 7, 2023 by Mike Brooks

When person embarks on making any kind of murder mystery one must ask such questions as, “What makes my thriller about a crazed killer stand out from others of its kind? Does the movie have a brilliant but eccentric detective? Is the hero/heroine a spunky and resourceful fighter?

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Hellraiser: Judgment (2018) – Review

Posted on February 23, 2018March 16, 2021 by Mike Brooks

Having ten films in a franchise may seem impressive at a glance but if said franchise is in the horror genre that’s not necessarily the case, as one successful film can launch countless low budget sequels, and a perfect example of this would be the Hellraiser series as they went direct-to-video after the third installment.

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Yor, the Hunter from the Future (1983) – Review

Posted on February 20, 2018April 14, 2025 by Mike Brooks

The 80s saw a big boom in sword and sorcery flicks, with Schwarzenegger’s Conan the Barbarian being the real kicking-off point for the genre, but unlike Conan, most of those films were shot with incredibly low budgets and even lower-ranked stars.  Such was the case with Yor, the Hunter from the Future a film that…

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