The incarnation of Death has been a compelling and enduring subject in cinematic history. This essay examines how filmmakers have personified Death, exploring the character’s various representations, from the ominous and fearsome to the sympathetic and misunderstood. Through these portrayals, the movies delve into humanity’s complex relationship with mortality, each iteration of Death reflecting different…
Category: Musings
Opinions on Media
Classic Horror films of the 1940s
The 1940s saw the continuation of the golden age of Universal Monsters, a series of films that literally laid the groundwork for the horror genre, and while iconic monsters like Dracula, Frankenstein’s monster, the Wolf Man and the Mummy reigned supreme during this era, other rivals studios would launch their own thought-provoking entries that would…
Classic Horror Films of the 1930s
The 1930s marked a significant era in the history of cinema and particularly for the horror genre. It was during this decade that classic horror films emerged and left an indelible mark on the industry, bringing many iconic characters to life while also influencing future generations of filmmakers and changing cinema forever.
Disaster Movies: Thrills, Spectacle and Societal Reflections.
The disaster movie genre has been a captivating and enthralling part of the film industry since almost the very beginning, with stories showcasing epic and catastrophic events that endanger humanity and its surroundings; whether it be natural calamities like earthquakes, tornadoes and volcanic eruptions or man-made catastrophes, such as nuclear accidents and aircraft disasters, not…
The Giant Worlds of Bert I. Gordon
The Auteur Theory deals with filmmaking in which the director is viewed as the major creative force in a motion picture, a field that would include such luminaries as Martin Scorsese, Wes Anderson, and Dario Argento, but when discussing the Auteur Theory very few critics look to the B-movies and the many talented filmmakers who…