When it comes to computers with artificial intelligence Hollywood has mostly been in the camp of “This is a really bad idea,” with such notable examples of this being the murderous Hal 9000 from Stanley Kubrick’s 2001: A Space Odyssey, to the more recent entry in the genre the duplicitous Ava from Alex Garland’s Ex Machina, but every once in a while Hollywood will give us an A.I. that doesn’t go all Skynet on humanity, and today we will look back at one such film, a little sci-fi adventure called D.A.R.Y.L.
In 1981 Paramount Pictures released D.A.R.Y.L. a movie that deals with a young boy who just so happens to be “not all that human” and who longs to learn what exactly it is to be human. One could almost call D.A.R.Y.L. a precursor to Steven Spielberg’s A.I. Artificial Intelligence, and though the film does briefly drift into the heady waters of speculative science fiction it spends the bulk of its time in the family adventure genre, that kind you’d find in your average Disney movie.
The movie opens with an action sequence of a car being chased along a mountain road by a helicopter; in the car is Doctor Mulligan (Richard Hammatt), who has kidnapped/rescued young Daryl (Barret Oliver) from a top-secret government agency that had hoped to build the next generation of combat soldiers. Eventually, Mulligan is chased off of a cliff by the pursuing helicopter, but not before first dropping Daryl off at the side of the road, and the hapless kid is found by Ma and Pa Kent who then bring him back to their Kansas farm and raise him to becomes a hero and beacon of hope for all of America and the world.
“You will travel far, my little Kal-El. But we will never leave you… even in the face of our death.”
Okay, that isn’t quite what happens but he is found by a Ma and Pa Kent type and is brought to a local child care facility, where he is soon placed with a pair of very wholesome foster parents, Joyce (Mary Beth Hurt) and Andy Richardson (Michael McKean), who desperately want a child of their own. Right off the bat, we begin to notice that Daryl isn’t your average kid, he can memorize an eye chart at a glance, master the video game Pole Position in one try, and can hit a home run with every swing of the bat. and all of this is because Daryl is actually D.A.R.Y.L. (Data-Analyzing Robot Youth Lifeform), and though his body may be relatively human—born out of a test tube rather than a womb—his brain is an advanced learning computer that, over time, seems to even have the ability to develop emotions.
The interesting wrinkle here is that Daryl doesn’t know he isn’t quite human, Doctor Mulligan having deactivated part of Daryl’s computer processor and thus giving him a rudimentary case of amnesia, so it’s through hanging out with the next-door neighbour kid, Turtle (Danny Corkill), that Daryl learns what it means to be a real boy. That is until he eventually learns that he isn’t one at all. It’s Turtle that gives Daryl such insights when the poor kid can’t understand why Joyce starts to become emotionally distant from him—she can’t seem to handle that he is completely self-reliant to the point of making his own breakfast and polishing his bedroom floor, and Turtle informs him “Grown-ups have to think they are making progress with you. You got to mess up sometimes, just enough so you don’t get whacked. Joyce has to feel useful, you’re so damn helpful, good and thoughtful, I don’t know why I like you.”
The relationship between Daryl and Turtle is the heart of the film, and Danny Corkill brings the perfect amount of puckish charm to his character, sadly some of this comes at the expense of the character of Joyce, who comes across as a callous bitch who turns her back on an amnesiac foster child just because he’s too perfect. I understand the script needed to show Daryl learning how to properly interact with people, but in so doing they push Joyce a little too far in the unsympathetic direction, and Mary Beth Hurt is never quite able to fully redeem the character. The movie also doesn’t have any time to deal with such complexities because Dr. Stewart (Josef Sommer) and Dr. Lamb (Kathryn Walker), who show up and claiming to be Daryl’s parents, take the kid away via private jet to the government facility where he was created, and it’s here that Daryl is put through a battery of tests as his memory is restored and he is made aware that he is not a real boy.
Let us now take a brief look at this government facility that created D.A.R.Y.L., and just how terrible they are at their jobs. We learn from the Pentagon that the Brass isn’t all that thrilled with Dr. Stewart’s news that Daryl has learned to prefer a particular flavour of ice cream, or has developed emotions like love and fear. As General Graycliffe (Ron Frazier) states, “Baseball, ice cream preferences, friendships, that’s all right for America but hardly what we need at the Department of Defense,” and they inform Stewart that the Youth Lifeform program is terminated, saying, “We need an adult version of this prototype, programmed to learn all that the army can teach: a fearless, technically skilled, devastating soldier.”
But what exactly was the point of the “Youth Lifeform Program” if it wasn’t to lead to the subject eventually growing up to be an adult soldier? Are they asking Dr. Stewart to start creating genesis pods that can pop out fully grown adults? They don’t need to scrap the program, they just need to keep their Super Soldiers away from suburbia and mom’s apple pie, so that they can be raised as cold, calculating, killing machines, and not ones that would try and throw a baseball game to make an insecure mom feel better about herself. But I guess it is the type of terribly-run government that somehow lets one of their staff make off with their million-dollar product and then were unable to locate it for months — even though one would assume the Child Care facility, where Daryl was dropped off at, would have notified all necessary authorities that they had a missing child — has us wondering just how hard was the government looking for Daryl?
Note: The acronym D.A.R.Y.L. is also inaccurate as Daryl is completely indistinguishable from a human except for his computer brain. Thus the “R” in the acronym, which stands for Robot, is wrong because Daryl clearly falls more into the category of cyborg.
Of course, Dr. Stewart has no intention of letting them toss Daryl onto the scrapheap, and along with the aid of Dr. Lamb, they fake the dismantling of Daryl, and he then sneaks the kid out of the facility in a hidden compartment under the backseat of his car. At this point, we are treated to a fun action sequence, where Daryl has to use the skills he acquired playing Pole Position to elude the authorities in a pretty fun car chase, but sadly in the cross-country run Dr. Stewart is shot and killed, and Daryl is forced to steal a Lockheed SR-71 Blackbird — from the worst secured base in America, I might add — and he is able to eject before the assholes at the Pentagon self-destruct the jet. His ejection seat lands him right in the middle of a lake, where sinks straight to the bottom, and when he is retrieved and brought to the local hospital he is declared dead, despite Turtle claiming, “He can’t be dead, he can’t be. Daryl is a robot and robots don’t die. Oxygen feeds your brain but Daryl’s brain is a microcomputer, that can’t die.” We then cut to Dr. Lamb showing up at the morgue, to presumably jump-start Daryl’s operating system, and we are then treated to a heartwarming reunion between Daryl and his foster family and friends.
A few Question Come to Mind:
• After Dr. Stewart and Dr. Lamb fake the surgery, the one that was supposed to be dismantling Daryl, we see the evil General running around checking all the D.A.R.Y.L. data-banks to see if the computer is truly offline and dysfunctional, but he never once checks to see if the corpse of Daryl is actually a corpse.
• We are told the Lockheed SR-71 Blackbird is equipped with a self-destruct mechanism, one that can be activated remotely (which they certainly are not and no pilot would fly in a plane that had one), and that if the plane leaves United States Air Space it will detonate the plane, and they are even nice enough to give Daryl a six-minute timer countdown. Daryl ejects just before the explosion and parachutes down in the lake located near the home of his foster family, but exactly how is this lake outside of United States Air Space?
• The government is aware of the Anderson family and with the hospital reporting the drowning they would know Daryl survived the destruction of the Blackbird jet. Wouldn’t they most likely be doing a follow-up investigation, one that would reveal their project is alive and well and living in suburbia?
D.A.R.Y.L. is a harmless family adventure film, with some decent action moments and a nice look at artificial intelligence, that Dr. Lamb sums up when she posits, “General, a machine becomes human … when you can’t tell the difference anymore.” This film is certainly no landmark in science fiction but I find it fun and entertaining enough to recommend it to audiences of all ages.
Director Simon Wincer helmed a fun science fiction family drama that has a solid cast that is slightly hampered by a script that could have used a little tightening.