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Tag: Fantasy

Blood of Beasts (2005) – Review

Posted on August 16, 2026August 4, 2026 by Mike Brooks

This film was released under three different titles: Beauty and the Beast, Blood of Beasts, and Blood of Vikings. That’s either a bold marketing strategy or some kind of tax dodge. Whatever the intent, the end result feels less like a rebrand and more like a warning label that nobody read.

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Beauty and the Beast (1987) – Review

Posted on August 9, 2026August 2, 2026 by Mike Brooks

By the 1980s, Beauty and the Beast had already been adapted so many times that the story was basically on autopilot. Naturally, Cannon Films looked at that pile of versions and thought, “Yes, what this needs is a budget that barely covers catering and a dream.” The result is the 1987 entry in their Cannon…

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Beauty and the Beast (1978) – Review

Posted on August 2, 2026August 2, 2026 by Mike Brooks

Somewhere along the line, someone in Czechoslovakia looked at Beauty and the Beast and thought, “This needs more dread, more feathers, and significantly less comfort.” This 1978 adaptation, directed by Juraj Herz, answers that call with unnerving enthusiasm. It takes a familiar fairy tale and drags it through a snow-covered nightmare where romance feels like…

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Beauty and the Beast (1962) – Review

Posted on July 26, 2026August 2, 2026 by Mike Brooks

Somewhere in the early 1960s, American International Pictures looked at a centuries-old fairy tale and thought, “What if we did this quickly and on a budget?” The result is the 1962 Beauty and the Beast, directed by Edward L. Cahn and featuring creature make-up by horror legend Jack Pierce, which at least gives the production…

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The Scarlet Flower (1952) – Review

Posted on July 19, 2026July 18, 2026 by Mike Brooks

Lev Atamanov’s The Scarlet Flower stands as one of the crown jewels of early Soviet animation, a work where folk tradition and painterly visuals collide with quiet emotional power. His film adapts Sergey Aksakov’s beloved literary fairy tale with remarkable fidelity, creating a world that feels both intimate and mythic. Even today, this 1952 feature…

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