Few horror anthologies achieve the hypnotic mix of atmosphere, terror, and pulp like Mario Bava’s Black Sabbath. A triptych of tales ranging from modern urban paranoia to folkloric dread to ghostly terror, this film is a gothic playground where shadows and colour collide. Anchored by the legendary Boris Karloff, this film remains one of the…
Tag: Mario Bava
Black Sunday (1960) – Review
Mario Bava’s Black Sunday isn’t just a horror film; it’s a gothic nightmare painted in the stark contrasts of light and shadow. With witches, vampires, bronze death masks, and Barbara Steele’s unforgettable stare, it’s the kind of movie that crawls under your skin and lingers. Part fairy tale, part fever dream, this was the film…
Hercules Unchained (1959) – Review
In this 1959 Italian sword-and-sandal sequel to 1958’s Hercules, Steve Reeves once again flexes his pecs and somehow solves problems using the power of muscle tone and stoic confusion. This film explores the age-old question, “Can brawn overpower beauty?”
Suspiria (1977) – Review
When one looks over the horror genre it’s impossible to ignore the influence that the Italian Giallo subgenre had on the North American film industry, good or bad, because even though those films were similar to American slasher films in the area of violence and exploitation they were often more lush and colourful than what…
Hercules in the Haunted World (1961) – Review
When it comes to mythological heroes, none hold a candle to the great demi-god Hercules, or at least when put in the context of big-screen appearances as he’s appeared in dozens of films ranging from the low-budget Italian Sword & Sandal films to the big Hollywood films like Disney’s animated Hercules and the 2014 Hercules…