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Tag: science fiction

The Creeping Terror (1964) – Review

Posted on July 24, 2026July 24, 2026 by Mike Brooks

Some horror movies are so terrifying that you can’t sleep at night. The Creeping Terror is so terrifying that you might not stay awake at all. This 1964 “monster” movie is the kind of thing that makes you wonder if Ed Wood had an evil twin who was even worse at his job.

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The Horror of Party Beach (1964) – Review

Posted on July 21, 2026July 18, 2026 by Mike Brooks

Some films are so bad they circle back around to being fun. Others are so bad they leave you with a headache and an existential crisis. The Horror of Party Beach is both; it’s a movie that wants to be a teen beach musical, a gore-soaked monster movie, and a public service announcement about nuclear…

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Osamu Tezuka’s Animerama Trilogy: Sex, Psychedelia, and the Soul of Animation.

Posted on June 12, 2026April 7, 2026 by Mike Brooks

Best known for Astro Boy, Osamu Tezuka also helped create one of animation’s boldest experiments: the Animerama Trilogy. Comprising A Thousand and One Nights, Cleopatra, and Belladonna of Sadness, these films pushed the boundaries of adult animation with sex, surrealism, and social critique. This essay explores their evolution and legacy.

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Masters of the Universe (1987) – Review

Posted on June 5, 2026May 22, 2026 by Mike Brooks

1987’s Masters of the Universe is one of those gloriously misguided Cannon Films productions that swings for the stars and lands somewhere behind a California strip mall. It’s a movie that dares to ask, “What if cosmic fantasy looked like a low-budget cop drama?” The result is a fascinating, baffling, occasionally entertaining mess that somehow…

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Trucks (1997) – Review

Posted on May 15, 2026May 14, 2026 by Mike Brooks

When Stephen King first took a crack at bringing his killer truck story to the screen, he already proved this idea could crash and burn in spectacular fashion. Apparently, that wasn’t warning enough. Because 1997’s Trucks rolls in anyway, stretching, mangling, and flattening the premise into a wheezing made-for-TV relic that somehow makes one wonder…

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